Saturday, September 27, 2008
How not to write history
Hore is ex-Royal Navy, associate editor of Warships International Fleet Review (whose website could do with a bit of proofing, itself), and "eight books." His writing, what of it I've read, is full of strange assertions and bizarre opinions, (viz, streamlining bulges on today's merchant ships and chin-mounted sonar on ASW craft are somehow descendants in naval architecture of late nineteenth century rams), but I have to presume that even he knows when Trafalgar was really fought.
Sunday, September 7, 2008
End of summer panic

As the summer dwindles, I get cravings for summer flavors -- knowing that soon we'll be reduced to stews, steaks, and so on, and the vegetables in particular will go to hell in a handcart. Here's last night's act of desperation, Jody Adams' grilled fish with a basil-potato puree' and grilled heirloom tomatoes. No rouget to be had, nor any striped bass, either, so we went with farmed rainbow trout instead. The brown things are nicoise olives scattered around.
More on autism
Monday, September 1, 2008
plus ça change ...

An old colleague from our days in the tape backup biz was in town, and without giving it much thought (although it was Friday,) we decided to go to the fabled Old Town (a.k.a, the Odd Town Tavern, famed in story and song, but mostly in the Wood-Charles News Service.) Lo and behold, we were seated at the same old long table in the back, under the same old nude painting. The same old Liz (not that old - certainly not as old as the nude painting, anyway) was on hand, as she used to be. We ate peanuts, drank beer, and told the same old stories of life in the world of employment.
Afterward, we went to the Wine Bar at the Earle, a block away, and were waited on by Felipe, another Old Town alumnus. Except for the fact that they fled the decaying urban grittiness of downtown Ann Arbor for the sanitary tracts of Zeeb Road and I-94, we could have made a real night of it and ended up at Metzger's. The only real change of any import is that you can now see where we were on Google streets, since they've thoughtfully photo'ed the whole bleedin' town.
Saturday, August 30, 2008
Momentarily excited
But then I thought, "Wait, he's not a US citizen."
A mind is a terrible thing ...
John Fogarty
Left a good job in the city,
lurkin' in a barn every night an' day
Bob Dylan
I ain't gonna lurk in Maggie's barn no more
David Allen Coe
Take this barn and shove it, I ain't lurkin' here no more
Traditional
I've been lurkin' in the barnyard ...
Dolly Parton
Lurking nine to five
Hay up to the ceiling
Crouching in a barn
With a rustic feeling
Loverboy
Everybody's lurking on the weekend,
Everybody's lurking in a barn ...
John Lennon
As soon as you're born they stick you in a manger,
And everything they do just makes you feel stranger,
Till you just cultivate an aura of danger,
A lurking class hero is something to be
Herman's Hermits
Babbadeebiddy DOOO.
Well I was lurking in the barn
(Late last night!)
When all the window shades were drawn
(Way down tight!)
I heard the raucous serenade
Of idiots on parade
(Idiots idiots idiots idiots on parade!)
Bachman-Turner Overdrive
I've been taking care of business, what's the harm?
Taking care of business and lurking in a barn
Tuesday, August 26, 2008
Ran across my copy ...
CAMPBELL'S NEW BOOK SHOCKS, INSTRUCTS
Managing AFS: Andrew File System
Richard Campbell,
Prentice Hall
Reviewed by: J. Francis McLuggage
Ann Arbor: I come away from "Managing AFS," Richard Campbell's new ... what? Novel? Autobiography? Prose Poem? ... thinking of nothing so much as Dos Passos' USA Trilogy. The work shifts, sometimes gently. sometimes with wrenching suddenness, from narrative to stream of consciousness, much as Dos Passos slipped back and forth between the lives of his fictional characters, biographical sketches of Woodrow Wilson and Samuel Gompers, and the lyrical, autobiographical sections he called "The Camera's Eye." Just so does Campbell weave his tale of "Andrew," the lonely, androgynous nexus of "Managing." And as we slip into and out of the disturbing, disturbed universe of Campbell's manufacture, so we come to feel like Dos Passos' Camera -- an eye, dispassionately observing.
In the beginning, "Andrew," is born of bohemian parents, caught up in the moment of drugs and casual sex on and around the Carnegie-Mellon campus ("... clients could mount practically anything, anywhere they wanted ...") We are gradually led to know that money was tight, mostly by the author's obsessive repetition of the (oddly misspelled) word, "cash." This concern with position is echoed in Andrew's often-expressed desire to be "well-connected" -- or is it another, perhaps darker, kind of connection he wishes for? Although political dogma is not a central feature of the book, there are hints that the young Andrew may have been dabbling. For example, he muses, apparently to himself (or possibly to "Vice," one of his dream- companions), "There is no ultimate limit to the size of a cell..." A cell in cold stone reality? A cell in an underground movement? Or the cell of mind? Is this a political tactic or a despairing comment on the futility of enlightenment? We are left to decide.
By mid-book, as Andrew matures, we find him struggling with the dualities of his responsibility. He tries to justify to himself the compromises he's made with his life, saying to David, another possibly imaginary interlocutor, "The rules are simple and sensible." But he also admits his rationalization of circumstances: "Once you are on a read-write path, it is difficult to get off." And again, "If you've made your cell visible to the outside world, it is difficult to make it invisible." "... the threads continue forever once started ..."
Later on, David reappears in what is probably a fantasy sequence involving folk dancing. Campbell effortlessly, in an almost Joycean voice, encapsulates an entire evening's pastime with the two-word phrase, "klog david." The joyful abandon of the moment soon turns to remorse, though: "... poor decisions will turn into immutable legacies." The sinister Ethan threatens blackmail, and Andrew is driven to contemplate black crimes: "Ethan's personal groups can be deleted outright ..."
Particularly impressive is Campbell's subtle weaving of psychological thematic material with changes in Andrew's mood and mind. From a deep, almost pathological worry about money, his character can go to a childlike, playful fatalism over it, repeating, "dcachehits, dcachemisses...," Andrew-speak for easy come, easy go.
What bothers the thoughtful reader, though, no matter how impressed he is with the structure or craftsmanship of Campbell's work, is the theist implications that -- perhaps -- poke their heads, like unwanted philosophical woodchucks, up from the humanist mainstream of Andrew's life-tale. Is there a God? Is Andrew God? Is the commune of information a kind of God in itself? We wonder, as the book concludes with a suggestion that Andrew's destiny is to become, "... a ubiquitous resource, omnipresent and dependable."
--
Richard Campbell is a founding member (some would say the founder) of the Ann Arbor Drinking and Thinking Society and a boating enthusiast. He runs a Manhattan-area Bed and Breakfast. "Managing AFS" is his first novel.
--
Ed. note: Shortly before going to press, we received an angry note from Mr. Campbell, claiming that our reviewer had completely misunderstood his book. In Campbell's view, it's a technical volume about some kind of computer thing or other. What the hell does he know? If we allow artists to start determining the meaning of their work, think of the impact on the humanities industry. You want a lot of unemployed Art Historians and English Lit PhDs wandering around downtown Ann Arbor, getting run over by Mini-vans and undertipping the wait staff? Jeez.
-- 30 --
Sunday, August 24, 2008
Art imitating life, apparently
Well, turns out that the room full of monkeys on typewriters that make up the translators of ancient Latin texts have given us at least one ancient with exactly that name: Silius Italicus. Ran across him in a book on the Etruscans, about whom he apparently had something to say. According to easily available sources (the only kind I consult,) Silius was a kind of proto Robert McNamara, doing bad things for a while, then being really sorry about it, later on. Look him up on the net, if you're interested (either of 'em, Silius or McNamara, don't matter to me.)
Saturday, August 16, 2008
Covert gear for waterfowling
First, there's the Webfoot Confidence Cow Decoy Apparently, you wear or crouch inside this thing in order to sneak up on unsuspecting ducks. And even more importantly, there's Quivering Duck Butts. Just in time for holiday giving. In fact, the catalog has page after page of this stuff, all to help you outwit ... ducks. Now, I'm a lapsed hunter, myself, and I certainly have no moral qualms about hunting, but if I was as unsure of myself as to believe I needed all this disinformation gear, just to run a fast one on a duck, I think I'd hang up my 12 gauge.